ANM 328 Project 5
The objectives of the Legacy Poster were to demonstrate
blending skills, learn how to select compatible images and make adjustments in
the overall composition to establish visual hierarchy in order to communicate a
clear message about the legacy of your artist or scientist. This project
brings together all the design and technical skills weÕve been working on this
semester.
Grading Criteria
95-100 ItÕs all come together with strong
images, clear hierarchy and perfect type that resonates the essence of the
artist or scientist.
90-94 Almost perfect but one
of the key criteria is not very strong. For example: Type does not
resonate or is hard to read.
80-89 At least one or more areas of your composition are not
very successful. Image selection lacks consistency or quality and there
are overall design flaws.
70-79 At least two areas: composition, image selection or
type has major problems Below 70- Ouch!
Late work: -10 pts
Adams Group
Julie Hargraves- The most effective element in your
poster is the embossed IZ filled with imagery. This both identifies and resonates
the tone of the artist. The rainbow, of course, emphasizes one of his most
memorable pieces. To me, the
quantity of text surrounding that imagery tends to overpower the composition
and has taken away the hierarchy the subject deserves. I would consider
simplifying the poster by removing Somewhere and make
IZ a little larger. The rainbow filled letters do resonate the arching rainbow
but the strength of that style is diminished by overuse. Perhaps if you used a script font with
no rainbow fill for the quote it would provide a contrast and balance in the
composition.
Joe Lee-Tesla is always a popular subject for this project.
His ÒlegacyÓ with electricity and modern connection with the electric car offer
lots of possibilities. YouÕve
found a great image of Tesla with excellent detail. The lighting, sparks and
wires all add intensity and energyÉit both communicates the subject of
electrical current and inspiration Tesla had as an inventor. The strength of that large central
images is somewhat diminished by the smaller images of the light bulb and Tesla
banner. The placement appears to
Òfill spaceÓ. Consider this, in
place of those two small images, what if you had a very transparent but large
front-end image of the Tesla car in the backgroundÉ.very
faint? In this case, Òless is
moreÓ.
Natallia Ramaniuk- YouÕve
done an excellent job of blending all these images into a very cohesive
composition. It highlights the film legacy of Chaplin by brining the viewer
into a classic theater environment. I especially like the projector! I think
the position of the quote is too central and tends to be the focal point rather
than an aside. I would consider putting it in one or two horizontal lines just
above the audienceÕs heads. Just put quotes around it and probably donÕt need
his name repeated below. Very creative work that demonstrates excellent blending skills.
Christopher Talbott-Walt Disney is
a great subject for the poster. The images of the castle and he and Mickey are
iconic and certainly highlights to his legacy. I think those two images work
but it looks like part of WaltÕs head was removed in the selection
process. The larger image of
Disney appears to have been distorted to fit the spaceÉa better technique would
be keep it in normal proportion but use a layer mask to soften the side at the
edge of the castle. This would also visually link him in the scene. The type tends
to dominateÉI think it could be smaller and still be
readable. Also consider bringing down a third of the way on the page to help
the visual flow through the composition.
Mutter Group
Lea Aletti-the most effective element in the composition is the
filmÉit both is a vehicle to show ÒclipsÓ from movies but also leads the viewer
through the poster. I also like the contrast between black and white and the
color images of the actress. Type and image quality is excellent. My only suggestion would be to consider
removing the image of Hepburn in the lower left. Why? As is, the four images in
each quadrant tend to visually constrain the composition. If you remove the one
in the lower left the visual flow will be much stronger and will more
effectively take advantage of the curvilinear path of the filmstrip. Nice work!
Katherine
Case-The large image of Kelly and the child has excellent quality and is the
clear focal point of the composition.
The two smaller images reflect the two parts of her legacy as an actress
and as royalty. Placing these
images side by side in the corner is not an especially creative way of showing
this diverse legacy. Did you consider enlarging the images and placing them in
the background? This would
contrast nicely with the black and white photo and more effectively show the
relationship between being in the limelight vs being a ÒmomÓ.
The name is very hard to readÉI think this is primarily due to the
vertical orientation. We donÕt read that way very well and itÕs
complicated by the scrip font.
Keeping it in the horizontal would work/read better. I like the pick-up
of the dress color for the type...great technique.
Joshua Hird- You poster is primarily made-up of the large
painting of George..just
flipped. The addition of the globe illustrates a more worldly view. IÕm trying to make a connection between
the placement of the small images (Crossing Delaware) and Martha on the globeÉdonÕt think there is a geographic connection. The globe appears
to just be an object to display the images on. The globe could be better
integrated into the scene by showing more of his hand grasping and adding some
shadow that would be cast from the object. I would have like to have scene a
more challenging use of blends to compose the background.
Shelley Leide-Lynch-YouÕve used a lot of
images to compose your poster!
Pete is a great subject and the main image is very strong with excellent
resolution. I especially like the contrast between the black and white
background and color. I realize you feel strongly about the quote but a poster
is meant to be high visual impactÉcould it be shortened? I can visualize the
name and date being brought down and maybe split above and below the banjo
neck. Overall, the poster is very
effective.
Jason Zofin-The image quality is outstanding and appropriate for
the legend of Ansel Adams. This looks like a poster I
would find in an art storeÉthatÕs great!
The panel below the large images with the Òhanging imagesÓ and type is
the most effective. The type is
crisp and resonates a professional aura of the photographer. The images below
are fluid and contrast significantly with the more formal rectangle
shapesÉthis, to me reflects the Òyou make itÓ originality of Adams. I think the overall poster would be
stronger without the bottom row of images. You didnÕt separate these from the main composition so I am
assuming they are meant to be in it and not the small thumbs that were also
part of the project requirements.
Monroy Group
Courtney
Allred- You definitely win the award for most images
used. I especially like the color
silhouette of Mickey that emerges in the background. This very effectively links Disney, animations and his
legacy of film. The image of Walt
is very strong and contrasts well with the busy background. Using the Disney
logo for his name works too! YouÕve
done an excellent job in all aspects of the project!
Lori DeLappe-Your poster is a very clever blending of both
images and eras. I wouldnÕt think of the connection between 16th
century Shakespeare and tweets. ItÕs all about words! Regarding the compositionÉthe image of Shakespeare is very
strong and I especially like the masked blend of the book in the
background. To me, the quantity of
quotes is a little over powering. WouldnÕt the visual and intellectual impact
be stronger with just one or two quotes/hashtags? I do like the top third with color and
texture. What if that were stacked along the left and your favorite additional
quote at the bottom. You have one of the most creative solutions IÕve seen for
these postersÉbut keep in mind that less is more and in this case, I think it
would be more powerful with less.
Amanda
Jones- Tesla is a popular figure these days and certainly has an important
legacy. The Tesla coil and
electric pulses add energy and resonate the creative genius of Tesla. The image of Tesla is intense and it
looks like you colorized itÉwow, thatÕs very creative! I appreciate your effort to ÒelectrifyÓ
his name. The concept is great but itÕs not as readable as it should be. Although still abstract, it might
benefit from a hue/saturation adjustmentÉ sample the intense blue or purple and
try a complimentary colorÉdid you consider this as an option? The added
contrast would make a big difference.
Alisa Maeder-Your poster of Shirley Temple incorporates images
that highlight her acting and political career, but the composition lacks
hierarchyÉit would be much stronger if one of those images took control by
being larger and perhaps selected off its background. The most likely images to do this would be Shirley as a
child star or the main one, as an older adult. IÕd like to see the images better
integrated or blended so it doesnÕt look like a photo albumÉthis is where
blending can be very powerful. Right
now the dominant element in the composition is the date..is
this the most important aspect of her legacy for your viewers? IÕd suggest larger name and smaller
date. Type is also very pixilatedÉI think your image started out quite small
and enlargement to viewable size caused the distortion. No small thumbs
provided but itÕs clear what imagery you used.
Veronica Deltoro-I like the way youÕve divided the composition with
the primary image in the center and background split between two of his most
memorable characters. This, along
with the type and date, flows well and is simple but effective. Did you try any
other color combinations for the background? I think it would be interesting to use a compliment of green
(red spectrum) or yellow (purple spectrum) for a more harmonious palette. ItÕs a small point but worth
considering. Excellent work!
Taylor
Group
Sabrina Guidi-Your poster was one of the most successful in class!
The images all relate to the famous Brunelleschi dome. I just saw a special on how it was built..defying all rules of
architecture and construction at the time. YouÕve done a great job of layering the images to add depth
and very successfully incorporating the sculpture as the central figure. The type you chose definitely has a
ÒstructuralÓ lookÉa little hard to read at first glance but interesting. You definitely have and eye for
composition and are skilled with the Photoshop tools.
Corinne Seilahan-The combination of images, blending and
colorization all work to make this composition successful. Although challenging, you successfully
found a good balance between the background image, text and the added quote.
The quote stands out and ÒfitsÓ the visual of middle earth. The treatment of his signature (stroke
or outer glow is rather pixilatedÉthis is not necessarily bad. It does
compliment the overall tone of the composition and is likely the only way to
make his name readable across the varied background colors. Excellent
composition and use of Photoshop techniques.
Lea Winnen-I was a little confused on which final image you
preferred so I just took the most recent submission. Gerogia OÕKeeffee
is a great subject for this poster. Her work is vibrant and bold and there are
some excellent images of her. This
horizontal composition, at first glance, would point the viewer off the page to
the left. But the glance of her eye counteracts this directional force. I
especially like the flowing painting in the background that becomes her hair
and the flowers that adorn her.
The small images of her at different stages in life are a little strange
as flowers but they do work and add interest to the overall scene. They also
serve to enhance the visual flow from left to right and back into the main
image of the artists. The weakest
part of the composition I the drop-shadow on the nameÉitÕs just too intense. I
would suggest just leaving it flat.
A large horizontal canvas can be challenging to fill with elements that
work togetherÉyouÕve done it!
Sarah Trattner-What strikes me most is the consistent picture
quality in your poster. I really like the background guitar and the electric angle
image as the central figure. With
the addition of the smaller images in each corner, the composition has become
more static. I would remove all
but one of those of him playing a guitar and make that one image larger. This
would improve hierarchy and strengthen the overall layout. In this case, less is definitely
more. Your font choice is
excellentÉwithout the two mirrored images at the top it might be stronger
stacked along the left side.
ThereÕs lots of potential here thanks to the quality imagery. As
suggested, simplifying will really make this more powerful.
Kristina
Fahey-Old blue eyesÉIÕm impressed with the strong visual hierarchyÉit you learn
one thing from this class this is it and will apply to any creative work you
do. The images are compatible in
tone and resolution. The selections and layering make them all work
together. IÕm not as sold on the
yellow outer glow which is strongest on the right side. It looks a little intense and if you
are going to use a color for this why not complement the blue and use an tint of orange?
The script font resonates the Sinatra ÒstyleÓ and has a lyrical lookÉit
works! Good job on this!
Lyubob
Kaznacheyeva-Your combination of images reminds me of
a movie posterÉ.the three women, dramatic pose of the shooter
and stylized type all contribute to this, the legacy of Chekhov. YouÕve done an excellent job of
selecting and blending these images. The clouds with texture in the background
set a dramatic tone that works well with the layering. My only suggestion is to consider the
placement of the shooterÉwithout the small images it would be difficult to
understand that the object behind ChekovÕs head was a gun. If that image were
scaled-down so we could see the pistol grip but still have the barrel behind his
head it would be more effective. The type style and treatment looks very good.